Wednesday, March 13, 2013

Creekside Co-op Designer's Tour


 
Take a slideshow designer's tour of the new Creekside Co-op in Elkins Park PA. Interior design and casework contracting for this project occupied most of my time last year (sadly limiting my time for painting!) The slideshow tour video above shows off the interior where most of my efforts were focussed. I also produced exterior renderings used by the design committee and general contractor, as in the example below.
Creekside Co-op front elevation by Bruce Starr
The co-op opened just in time for the 2012 holidays
Below are a few of my favorite shots from the construction period
Co-op building shell after demolition in March. 2012
The new facade begins to take shape
Interior after demolition
Same wall today
The two pictures above are "Before and After" shots of the same wall. My design work included preserving the look of the original ceiling beams and exposed brick at the top of the wall.
     
Placing Checkout Counters
Interior Nearing Completion
With the interior nearing completion, my casework gets installed. Below are shots of my renderings used for planning and placement of the checkout lanes, and the lanes being used in the finished store.
 
 
 


Tuesday, June 19, 2012

NEW PAINTINGS

Fishing the Delaware, Palmyra NJ
48 x 32, casein on muslin

I've been mainly working on bigger canvases recently, and this piece is my largest to date. The scene is from the Jersey side of the Delaware River on a hazy afternoon in early summer. I was attracted to the contrast of the gleaming skyline (the city of Philadelphia) on the left, and a hulking old dredge on the right. In the foreground, a family fishes on the sandy shore near the shadows of the overhanging trees in New Jersey's Palmyra Nature Preserve.

Clouds Over 84
36 x 24, Casein on Muslin

On my many trips back an forth from Boston to Philadelphia during my recent transition, I was always attracted to the cloud formations over the highway. I hope to do a series of paintings expressing different light conditions, weather patterns, and geographic and structural elements of highway travel. In this piece, I'm pleased with the colors and movement both on the ground and in the sky, and the exploration of how these two elements interact.



ART FESTIVAL HIATUS UNTIL CREEKSIDE COOP OPENING
June 18th was the semi-annual meeting for the membership of the Creekside Coop, the first since the beginning of construction. I was very happy to make a presentation showing the digital 3-D models I've been creating for the interior. It was the first visual preview the members got of their new store. I will be very busy until fall, when the coop opens its doors, building custom millwork and helping with the design implementation, so I'm not planning to do any more gallery shows or festivals until after the coop is up and running.

Below are a couple of the drawings showing some of the fixtures and layout.




 


Wednesday, May 2, 2012

Bruce at the Beacon Hill Art Walk, 2012

June 3, 2012, Noon-6pm in Boston's beautiful Beacon Hill neighborhood



The Beacon Hill Artwalk is one of Boston's best festivals for painters, and I am very much looking forward to participating in this venue. For more information, you can link to the festival website at:  http://www.beaconhillartwalk.org/

Too Much to Do....
Since re-locating to Philadelphia, I have been insanely busy setting up a workshop, settling in, and getting re-involved in the community I left several years ago. Finding time to paint has been difficult. I've completed a couple pieces shown below, but need to find more time to paint before the Art Walk! I apologize that I have not updated the painting inventory in some time, especially after selling a few pieces at the Frame House gallery last month. Please touch base if you have questions at bstarrpaintings@gmail.com
"Urban Produce, Rainy Night" 24" x 16", Casein on muslin covered frame
"Backroad Sunset" 18" x 27", Casein on muslin covered frame
Creekside Coop story
The happiest coincidence of my timing in returning to Philly is the constuction of the new Creekside Coop.

Many years ago now, I opened the Elkins Perk Coffeehouse next to a well-established neighborhood gourmet grocery, Ashbourne Market. But when its family owners retired, the store went downhill and soon closed. The community has worked long and hard to create a new food cooperative in this once-thriving space, and was finally able to buy the building and begin renovations this year. I am priveledged to be working on the design committee, and have created a 3-D Sketchup model to help envision the space. Here's a 2-D graphic of what the new market will look like:

As the local-foods movement has gained momentum, food coops have changed greatly. The Creekside Food Coop will be an amazing full-service grocery, great source for local produce and products, have a huge selection of salads, deli, and prepared foods, plus a cafe/community gathering place. I'm very excited to watch this great idea come to life! 

More Design-Build Projects:
Meanwhile, I've also been finishining projects in my old stomping ground, Cambridge!  Here's a couple pictures of my friend Jeff's condo, with his new fireplace, shelving and media cabinetry:


The fireplace is double sided, with the other side facing the kitchen eating area. The tall doors on the right open and retract to access TV and other media components.
   And lastly, the local foods movement has made some progress on the home front also, My housemate Cindy is an avid gardener, so I just built a new 3-section compost bin for the yard. Looking forward to soon having nutritious compost and mulch for all her beautiful plants!

Thursday, March 8, 2012

Gallery Showing throughout March at the Frame House in Elkins Park


My good friend Cynthia Blackwood's gallery and custom framing store provides a great backdrop for my paintings throughout the month of March. I think this my pieces look better here than any other gallery venue I've had to date! 

Artists Reception
Sunday March 11, from 2 to 4 pm. 
Please join me at:
The Frame House
7900 High School Road
Elkins Park PA 19027
Unfortunately, the painting selected for the printed cards was subsequently sold at the Artist's Crossing gallery in Boston shortly before I brought the pieces to Pennsylvania! 


It's great to be PAINTING again!
I am up and running in my new space just outside Philadelphia
This new piece is a scene from Forbidden Drive along the Wickahisson Creek at the Walnut Lane Bridge. This park system is an amazing undeveloped tract of land that was preserved to feed the original municipal water reservoir, now the site of Philadelphia's beautiful Art Museum.  Another of bit historic trivia I love: When it was constructed in 1903, this bridge was the longest concrete structure in the world.

New Series of Figure Paintings
This is the first of a series of figure and portraiture studies that I will continue to develop this year. The richness and intensity of Casein paints offer great opportunities for interesting lighting and color effects when working with the human form.

The new painting space is working out beautifully, with great northern light and a great new draft table/easel.  

Still working  hard on the new studio/shop space in the garage--a bigger challenge to renovate.   When I removed  a dingy and crumbling masonite ceiling,  I discovered that raccoons had formerly inhabited a large nest there. Several inches of petrified raccoon feces came down along with the ceiling and other debris stored in the rafters!  
EW!

Tuesday, February 7, 2012

Bruce Starr at Artists Crossing Gallery, Downtown Crossing, Boston



My paintings will be featured through the month of February at this cool space in downtown Boston, just off the Common. Note that the gallery is now in its new location:


Artists Crossing Gallery
505 Washington Street
Boston MA


Just around the corner from the Downtown Crossing T Station, between the Paramount Theater and Macy's on Washington Street!


Sorry I have no new paintings to show. The last month has been crazy as I've been relocating to Philadelphia! However I will be set up in my new space soon, and hope to have some new work to share by the end of February!


Meanwhile, I will be donating this piece to the Winter Warmup Silent Auction and Dance Party to benefit the Friends of High School Park.


For more info, you can visit the website: http://www.highschoolpark.org/index.shtml

Saturday, December 17, 2011

Bruce Starr Paintings at "Out of the Blue Gallery," Cambridge

My work is currently on display at two locations in Cambridge MA. The "Out of the Blue Gallery" is a great community venue on Prospect Street just off Central Square. My pieces can also be seen in the Middle East Restaurant on Mass. Ave. Check back soon, as I will be posting more pictures and info from these venues!


Please visit the past posts for info on other venues and recent paintings

Saturday, October 22, 2011

Bruce Starr at Deluca Gallery, Provincetown MA

The Deluca Gallery is located at 359 Commercial St.
next to The Harbor Lounge, on the waterfront.
The piece above is a scene from seafood stand in Wellfleet Harbor on a brisk September evening as the sky began to clear after a rainy afternoon. At 36 x 24, it is one of my larger paintings to date.




Many thanks to the friends and family who came from Boston, Philadelphia, and Arizona to help me celebrate opening weekend of my show at the Deluca Gallery! Here we are at Lorraine's:

Here are a few other new pieces to be seen for the first time at the show: (click to enlarge)
Local 188  24 x 16, Casein on Muslin covered plywood
This is a street scene outside a restaurant in Portland Maine, at the end of an evening on a warm September night. A rich palette of colors emerge from the pools of light and reflections against a backdrop of ultamarine blue in the surrounding darkness.
Race Point Light from Herring Cove,  16 x 12, Casein on muslin covered ply

This piece is very similar to a previous painting that sold the first time I displayed it at the Providence Open Market. Herring Cove is a perfect place to enjoy the rich colors of sunset over Race Point, with the light reflected in the texture of the waves as they roll into Hatches Harbor.

Miranda's Window, Rainy Dawn.  16 x 12, Casein on muslin-covered ply
This scene is from a small seside town in Maine where my friend Miranda recently bought a cottage. Peeping out the window on a cold rainy morning this scene greeted me. There is something about the stolid, boxy house, secure against the wet and chill dawn, that gave me a sense of peace and comfort I wanted to convey in this painting.



Monday, September 26, 2011

Upcoming Show at Patty Deluca Gallery, Provincetown

Opening November 11!  I'm very excited to have a show at this wonderful gallery at 359 Commercial Street, adjacent to the Harbor Lounge. I will be posting more information about the opening as it evolves, so stay tuned!
Patty Deluca Gallery
Crashing the Party
Sorry for being out of sight recently--I suffered a hard drive disaster with my Macbook crashing completely. I lost a lot of data, both images of paintings and images to create paintings. Coming back online now with more disc space, improved software and a reliable backup system.

NEW PAINTINGS
The Boating Party 24 x 12, casein on muslin covered plywood
This is the most recent of my Boston Esplanade paintings. On a gorgeous summer evening, when all of Boston seemed to be enjoying the balmy waterfront, the sunlight lingered late with a palpable golden glow. The idyllic scene inspired a classically referenced treatment of sky, clouds, and trees that merges into the 21st century architecture along the Charles River. I intended some gentle irony in depicting the partiers with a certain posed revelry, reminiscent of a liesure-class tableau in a painting from the romantic era. But there is definitively a democratized modern American twist. Interposed between the figures and the verdant natural background are the ubiquitous machinery and toys of our western consumer society.

Merrimack Through Pines 36 x 24, Casein on Muslin Covered Ply
This is a view from Maudslay State Park, outside Newburyport MA. Overlooking the Merrimack River, the land was a large estate originally built in the 1840s, replete with a huge mansion, guest houses, extensive landscaping, formal gardens and elaborate greenhouses. The mansion was demolished in 1955, and now only some outbuildings, skeletal garden walls and pathways still exist. The rhododendrons and a few other surviving horticultural specimens have melded into the native plantscape. The sweep of land cleared for the riverview is still discernable, though pine trees have sprung up where the bank descends steeply. They now filter the afternoon sun into a deeply shaded glade along the old carriageway.

I loved creating a deep toned painting with intense, rich colors that still conveys a bright sunny day beyond, and ruby patches of sunlight filtering through blue-green pine boughs. I hope it conveys a certain moody sense of granduer that haunts the place.

Frame Art
My frames are made of architectural moldings, so they always convey a sense of mass, but the latest design goes a step further. It references a classic perspective-angle frame in burnished gold, but reduces it to a wide angular tray fold with unmistakable presence. I will experiment with different metallic colors and edge patterns that compliment specific paintings as the technique evolves.



Homeresque (no, not Simpson)
Homer's studio on the cliffs
Weekend trips have lately yeilded some great material for future art. My friend Miranda Barrett spent the summer fixing up a newly aquired cottage in Old Orchard Beach Maine. It was wonderful to visit, see her project, and hang on the beach, but I also had a chance to visit an amazing nearby venue. Prout's Neck is a stubby peninsula just across the cove, and the site of Winslow Homer's studio. Homer created amazing iconic landscapes and figure studies in the late 19th century. He retired to a converted carriage house on the cliffs of Prouts Neck in the 1880s, and did some of his best and most mature work painting the surrounding rocky seascape. It is easy to see what attracted him to this place. There is a cliff trail that winds along the Atlantic, where the views of the rocky shore, barrier islands, and turbulent New England sky is stunning. I'm very excited about creating my own paintings from the images I collected.


Portland Maine is just a short drive north. If you didn't know, this great little city has a thriving art and restaurant scene. We had dinner at a fantastic place called "Local 188". Thanks much Miranda for a wonderful and productive weekend getaway!
Local 188, part of Portlands great restaurant scene
Bruce and Miranda, end of a wonderful meal

Monday, August 8, 2011

Art and Sexy Food

This summer I've been selling my paintings at a couple juried artisan markets sponsored by New England Open Markets. The artisan markets compliment the same group's farmers markets as sources for great locally made products. Farm market vendors may sell only foods they grow or harvest themselves, and this time of year the stalls are bursting with fantastic local produce. Boston's SoWa Open Market in the downtown gallery district is on of the most popular. Here's a picture of me with my paintings in SoWa's artisan section a few weeks ago.


The two other pictures at the right are from the Providence Open Market
in Lippit Park, with some painting shoppers on a sunny day, and the produce tents of the farmers market.



















My Sexy Food Story
Hey! Those are my
pirate boots she's wearing!


Lori Theriault is an amazing potter, fellow artist, one of my oldest friends, whom I've known since our salad days of working on theater productions together. You can see her beautiful ceramic creations on her blog through the following link:

This picture was taken lotsa years ago on Michigan Avenue when we lived in Chicago. We also share a love for cooking and fresh local food, but alas distance has kept us from making a meal together for a long time. This posting is a delicious and plausible substitute, however, for sharing food in person.





Lori recently started a new blog called "Sexy Food"  
I'm excited to tell a good story to contribute to it, and  I'm posting it here concurrently.


This week, To my great surprise I found a vendor with fresh sour cherries from Maine. I’ve loved sour cherries since my mom picked them for pies from the tree in our back yard while I was growing up. The season is very short, and the fruit very fragile, so they are seldom if ever seen in grocery store produce sections! However the luscious little red orbs are well worth the effort to obtain. Lori Theriault and I used to pick them together at Maryland and Virginia orchards when we both lived in Washington DC, but there the season is over and done by mid July. 
Ok, so pitting cherries is the pits,
 but always the first step
Not so many Americans know how uniquely delicious fresh sour cherries can be. Certain other cultures are more clued in to the secret. Over the years, I got used to hearing Russian, Polish, and Persian spoken when I picked sour cherries--they are beloved in both Eastern Europe and Iran. Lori and I were picking at a sleepy green orchard in Purcelville Virginia several years ago when we struck up a conversation and traded recipes with two fellow cherry lovers, an Iranian mother and daughter. The mother clued us into a recipe I’ve now made and shared many times. Sour cherries are cooked down with some brown sugar to a fresh soft jam, then baked with rice and nuts. This is a wonderful dish on its own, but also fantastic as an accompaniment to chicken or other meats.  In the Middle East, our new Iranian friend told us, a wonderful traditional pairing would be cherries with rice, and goat.

Goat, lean and spicy
My first plan was to pick up a small amount of chicken, and cook the cherries, rice, and meat together as a one-pot meal. But another find surprised me again. Beautiful goat shanks, purple-red and meaty, too tempting to pass up. So I set out on a cooking adventure inspired by a fast friendship in an orchard years ago. 

To prepare the goat, I cut the meat from the bone and minced it. Then I heated olive oil with brown sugar and used that for a fast initial sear of the goat.
Juicy cherries provide enough liquid
to simmer the goat till tender

After browning the meat I removed it, then sauteed a couple yellow onions with some garlic in the meat-flavored oil/sugar mixture. Then the cherries and meat all went back into the pot with a generous splash of balsamic vinegar, and some seasonings of coriander nutmeg. and salt. The uber-juicy cherries provided much of the cooking liquid required. Goat is a spicy and firm fibered meat that requires longer cooking to become tender. I simmered this down for over an hour, till the mixture had thickened nicely and the meat was chewy tender. Tangy tart cherries proved an excellent compliment to richly flavored goat. To make the dish go farther, I then added a couple diced sweet potatoes, three small chopped jalepenos for some heat, and some lightly ground walnuts.
Adding veggies and wine
A cup of red wine (I chose a Malbec, but a Pinot Noir would have worked as well) and a little water provided enough additional liquid to cook the sweet potatoes. Now the goat wast definitely tipsy, and happy! It took another 15 or so minutes of simmering for the veggies to get tender and the stew to thicken again.
The rice, I cooked separately, a nice blend of brown and wild. All the leftovers got mixed together in a wonderful melange that will provide a few more delicious meals. But for this dinner, a nice presentation was in order.  Our entree featured a bed of brown and wild rice, topped with slow cooked sour cherries, goat, sweet potatoes and walnuts--and of course some fresh veggie garnish with a cherry on top! A glass of the Malbec to wash it down and a backdrop of a recently completed painting. Perfect!
Slow cooked goat with sour cherries sweet poatoes and walnuts
on a bed of brown and wild rice
New Paintings
A couple new pieces to showcase. The first is a scene from my neighborhood capturing a bit of the flavor of life here in Somerville. It scene was from a warm June evening when the sun lingered extra late into the evening, the last strong rays shining intently on the upper floors of the row houses. Still a little time left for an older gentleman to tinker with his meticulously maintained, American luxury car. As the shadows begin to pool around him he as determined to keep it purring as long as the light lasts.
Maintaining the Buick
16 x 12 Casein on muslin covered plywood
Stoney Shore, Morning Haze
16 x 12 Casein on muslin covered ply

 The second is a simple but evocative composition depicting a rocky shoreline in summer morning fog. This scene was shot on a hike on the Horseneck Beach State Preserve near Fall River. 


Both of these pieces loose a significant amount of subtlety to the camera lense. The tones appear much more nuanced when viewed in person. Come see them in Providence this weekend!